Posts Tagged 'media'

soap operettes

This is a fantastic Nescafé campaign from the late 1980s.

It’s an interesting variation on the leitmotiv approach: evolve a creative concept over time to deliver increased depth and duration of audience engagement:

The same technique was harnessed in the equally wonderful Nicole, Papa work for Renault Clio a few years later.

Such storytelling is a powerful communications proposition that brands can deliver through conventional media like TV.

However, the proliferation of storytelling media like the Web means we now have many more opportunities to engage people than we did in the 1980s; which brand will be the first to refresh this approach and deliver the first epic  transmedia story?

I’d love to see more examples of these brand ’soap operettes’ – please share any links via the comments section below.

planning for the future (3): add CSR to everything you do

add csr to everything

Monday’s introduction to planning for the future highlighted an exciting shift in advertising’s role:

“Rather than simply interrupting [people's] escapism, we now have greater scope to make [their] lives better.”

Today’s suggestion – to incorporate an element of CSR into everything you do – continues this logic:

If brands are to become a meaningful part of people’s lives, they need to enrich those people’s lives too.

Rationale

Give, and you shall receive

This applies equally well to brands as it does to people; indeed, many of the world’s great brands were born on the principle of cooperation.

Lever Brothers built the foundations of today’s Unilever on the principle of ‘doing well by doing good’.

Similarly, Cadbury created an entire social eco-system for its workforce around the company’s factory in Bournville – an approach rooted in the Quaker ideal of mutual benefit.

For some reason, this ‘considerate’ approach to business went out of fashion for many years, reaching a low point in the corporate greed of the 1980s.

However, a renewed focus on ‘Corporate Social Responsibility‘ (CSR) became popular in the 90s, and brands today cannot justify a lack of broader conscientiousness.

But CSR isn’t just a ploy to enrich the company’s annual report.

Indeed, simply throwing money at a charity can often seem more like an acknowledgment of guilt than genuine concern.

For CSR to be effective, brands must demonstrate a real commitment to driving change and helping people.

This is most effective when the area of CSR focus relates to the brand’s core purpose and expertise, and integrates with the brand’s overall marketing.

For example, while I’d applaud a petroleum brand that donated 10% of its profits to feeding the poor, I’d admire and celebrate that brand much more if they invested the same amount of money in developing ecologically balanced sources of energy that ensured a brighter future for everyone, not just their shareholders.

However, it’s often difficult to justify that kind of longer-term CSR to shareholders, who invariably demand results today (and not 30 years down the line).

The good news is that CSR is a powerful and effective way to build a successful brand – a financial benefit that even myopic shareholders can relate to.

This is because CSR has the ability to create much deeper connection and engagement than broadcast advertising ever could; by helping communities and society at large, brands can demonstrate that they’re on the side of the people, and that helps to establish a more powerful bond.

So how can brands make best use of CSR opportunities?

Let’s return to the Run London example from yesterday’s post.

Nike incorporates a significant ‘community’ element in each iteration of this event (and indeed in much of its broader marketing).

For starters, all participants are encouraged to raise money for charity through sponsorship.

Other initiatives, such as Nike’s ReUse-A-Shoe Program, take the concept of CSR even further:

Benefit

Feeling good about a brand makes it much easier for people to justify choosing it over alternatives.

Furthermore, genuine CSR inspires people to talk about the brand, driving word of mouth and amplifying ROI.

Action

Identify as many relevant opportunities as you can for your brand to give something back to its communities, and assign a meaningful portion of your brand’s resource – money and effort – to delivering these contributions.

Previous posts in the ‘planning for the futureseries

Introduction: a new planning manifesto

Use communications to deliver value: moving from advertising to adding value

It’s all about the benefits: a simple example of how to deliver a brand’s core benefit with a TV ad

planning for the future (2): use communications to deliver value

add value to everything

In yesterday’s introduction to planning for the future, we saw that planning is evolving into:

The process of identifying the most relevant and engaging times and places to deliver specific brand benefits, and the most efficient and effective ways to deliver those benefits in that context.

The first step in this evolution involves a fundamental shift in how we view brand communications.

Rather than merely promoting other forms of value delivery like products, brand communications can become a viable means to deliver benefits of their own.

Rationale

People don’t actually buy products or brands; they buy things that enable them to achieve specific aims.

As a consequence, brands that help people to achieve their aims more comprehensively are more attractive, and therefore more valuable.

Planning can help add to this value by enabling brands to create more opportunities to satisfy.

Our challenge is to turn every single interaction – including communications – into an opportunity to help people achieve their aims.

Nike already champions this approach.

It understands that people don’t buy ‘sportswear’; they buy things that enable them to participate in sporting activities.

So the brand focuses on creating more opportunities for people to enjoy those activities.

Run London is a great example, creating deeper engagement not just with the brand, but also with running:

Run London doesn’t just build engagement either: over 30,000 participants pay to take part, and the event generates more than £1million in revenue.

Given this, it’s easy to understand why Nike employs the same approach in football with Joga3, and in fitness with the Rockstar Workout.

Benefit

When everything a brand does helps people to satisfy their wants, needs, and desires, it becomes a much more valuable part of their lives.

Action

Identify the core benefit that your brand offers, and then identify ways to deliver it through every interaction – including communications.

planning for the future

hearts and minds

Planning is the process of identifying the most efficient and effective ways for brands to share the things they want with the people that matter to them most.

Until recently, that has translated into identifying the most compelling ‘big brand ideas’, and then broadcasting them to apparently homogeneous audiences through conventional mass-media.

However, this approach no longer delivers the results we need.

Contrary to the laments of the media industry, this is not because attention has become more scarce; indeed, people actually have more free time now than they used to.

The real issue is that people have more opportunities to participate in a wider variety of activities, and unsurprisingly, they are choosing to focus their attention on those activities which offer them the greatest rewards.

In place of some of the time they used to spend ‘fire gazing’ – escaping the boredom and drudgery of everyday life – people are increasingly harnessing their cognitive surplus to learn and grow.

This more varied behaviour means that ‘audiences’ are increasingly dispersed: fewer people are doing the same thing at the same time, and mass-media are increasingly less ‘mass’ as a result.

However, this actually presents more opportunities than it does problems.

Rather than simply interrupting people’s escapism, we now have greater scope to get involved and make their lives better.

But, in order to achieve this, we need to rethink our approach to brand communications.

We need to move away from planning that centres on people’s ‘media habits’, and focus instead on the things that people are trying to achieve through those habits.

In other words, we need to ask why people do what they do, not just what they do.

Once we understand people’s motivations, we’ll find it much easier to find more relevant roles for our brands:

If people want passive entertainment, how can we help with that?

If they want to learn something new, what role can we play?

If they have a challenge, how can we help them solve it?

Brand communications can evolve into a means to deliver actual value, rather than simply a means to promote other forms of value delivery.

The benefit offered can be as simple as passive entertainment, but interactive experiences, education, and even corporate social responsibility (CSR) hold even greater potential.

In line with this evolving quest for people’s hearts and minds, planning’s role needs to evolve too, becoming

The process of identifying the most relevant and engaging times and places to deliver specific brand benefits, and the most efficient and effective ways to deliver those benefits in that context.

Over the next few days, I’ll share some ideas that can help make that future a reality.

in the flesh

flesh imp bk have it your way

Geb over at Ruby Pseudo shared an interesting perspective on youth marketing recently.

The opening line of the post sums it up:

“Not many brands ‘get’ the youth market; they’re either too in-your-face, or try too hard to be ‘down with the kids’.”

Some brands do get it right though, as demonstrated by a recent partnership between Burger King and a Singaporean fashion brand, Flesh Imp.

Flesh Imp have designed a range of items as part of the tie-up, including some great T-shirts and headwear, and have implemented some engaging in-store activity too.

The result feels very natural: a hint of self-deprecating irony from both brands builds their respective personalities by showing that neither takes itself too seriously.

Nicholas at Flesh Imp gave me a bit of background to the whole collaboration, but it’s probably easiest to let some pictures from the brand’s flickr tell the story instead:

flesh imp bk king playing card T

‘King’ playing card T

flesh imp bk packaging

T-shirts come packed in great ‘take-away’ boxes

flesh imp bk window dressing

The window dressing at the chain’s flagship store

flesh imp bk king T close up

‘King’ T close up

flesh imp bk girls' have it your way

Have it your way…

flesh imp bk cap

Limited edition headwear

flesh imp bk delivering your purchase

Here’s your order

The brand has put together a great Facebook profile that shows more of the collaboration:

flesh imp bk facebook

[click image to enlarge]

The whole tie-up fits nicely with the global BK Studio initiative – something that Flesh Imp have helped the brand with before:

BK isn’t the only multinational brand that Flesh Imp has collaborated with though.

This clip gives a taste of some great work they produced on behalf of Coke Zero, again in Singapore:

They did a great line for the Transformers movie too:

flesh imp 3d transformers

Flesh Imp 3D Transformers T

The magic ingredient that makes all these tie-ups work is authenticity: Flesh Imp manages to find an overlap in relevance between these large brands’ positionings and its own irreverent personality.

There’s a similarity to the Adidas Originals approach:

The difference is that Flesh Imp creates success for partner brands as well as its own, connecting them with a more cynical, younger audience.

As Nicholas pointed out, how many ad agencies could achieve that kind of impact?

As Ruby might say… Nice.

See more on the Flesh Imp tie-ups on their official blog, facebook and flickr sites.

the danger of demographics

The clip above is an enlightening talk by novelist Chimamanda Adichie.

Central to her argument is an implicit, yet critical question: what makes people similar?

As Chimamanda illustrates, it’s not ethnicity; nor is it age, or gender, or income, or any of those other ’statistics’.

So why does almost every brief still include demographics?

It’s ironic: our task is to separate our brands from the masses, but the first thing we do is to group individual people together into a mass.

It makes no sense; we all know that everyone wants to be recognised as an individual.

Do we really expect to form a bond with our audiences if we treat them in the exact opposite way to that which they hope?

I recognise that it’s unrealistic to approach every individual in a unique manner, but it’s high time demographics disappeared from our toolkit.

Because no matter who your audience is, it’s always made up of individual people.

Thanks to Slava for introducing me to the talk.

the right track

train arriving

Something occurred to me while reading this superb presentation from David Gillespie.

Media platforms are very similar to platforms in train stations.

It’s important to be on the right one, but only insomuch as that helps you get somewhere else.

Sometimes, choosing the wrong platform will take you somewhere a long way away from where you wanted.

But you can easily change the platform without changing the journey or the destination.

And so it is in advertising.

Platforms are just the start.

It’s the journey to the destination that matters.

David’s got a load of other good stuff on his blog – go take a look.

media myopia

media myopia

There’s something very wrong with media planning.

We all seem to agree that things have changed.

However, too few of us are doing anything to really harness that change.

Bizarrely, we seem to be perpetuating an old, broken model.

I’ve seen this dangerous image in far too many places recently:

advertising 1980s vs 2009

Every time I see it, a little piece of me dies.

People think it shows how far we’ve come, but I think it shows the opposite.

I recognise its accuracy – it paints a realistic picture of advertising today – but it’s that very reality that I find so disturbing.

It highlights a ‘menu’ approach that continues to stifle media planning; an apporach that erodes the value we should be adding to our clients’ businesses, and destroys their trust in our work.

It proves that we still see the world from our perspective, instead of planning from our audience’s lives.

The sad fact is that we’re barely scraping the surface of what we could do.

I can’t stress this enough:

anything can be media

So why do we continue to focus on so few channels?

As Neil pointed out earlier this week, many of us blame our inertia on clients who “just don’t get it.”

But really, we are the problem.

So what can we do to fix things?

Firstly, we can adopt a more strategic approach to planning – planning based on the things we want to share, the people we want to share them with, and the lives those people live.

The second point goes much deeper.

The real barrier to making the most of the opportunities at our disposal is a revenue model built on commission.

Fundamentally, that model means that we can only survive if we sell paid media.

But if we are to succeed, we must stop operating as mere brokers, and aggressively push the strategic agenda we know to be correct.

These changes must begin with us.

So, I’m asking for your help.

Do whatever you think it takes: tweet it, share it, write your own version and blog it; even better, do them all.

But above all, let’s do something: it’s high time that we make a real difference, instead of just talking about it.

I believe the channels graphic first appeared in the FT.

selling metrics

selling metrics

Should we consider brand sales when measuring ad effectiveness?

It might seem a somewhat glib question, and maybe you think the answer’s obvious, but I’d love to see if we all agree…

Read this to get some background, then share your thoughts in the poll below:

And yes, it’s meant to be an either / or choice. Sitting on the fence is far too easy.

maybe it’s you

maybe it's you

Neil has just shared a wonderful list of things you need to ask yourself before you’re even allowed to think about saying “my client doesn’t get it.”

His third point really struck me [I've changed the wording a bit for context]:

The client refuses to ‘do’ your idea, because you / they have never tried it before, and it’s unproven.

But let’s face it: the problem isn’t that the client is risk averse.

It’s just that you haven’t persuaded them that the idea’s good enough.

Or worse, they think it is a good idea, but they don’t trust you enough to do it without screwing it up.

The list summarises many questions we should ask ourselves on a daily basis.

Go read the rest of it here.

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